Ariel Acevedo

admira Rosario, Serie Flamencas
admira Cristina (’98), Serie Artesanía
admira A15-EF, Serie Artesanía

Ariel Acevedo is a versatile and creative guitarist whose career has been marked by the fusion of genres and a constant search for new forms of musical expression. As a member of the group AMATRIA, Ariel has established himself as an innovative artist, capable of combining the power of alternative rock with the melodic sensitivity of Spanish guitar.

Musical career and style

Originally from Colombia and now based in Spain, Ariel Acevedo has developed his own musical language, influenced both by his cultural roots and his openness to global sounds. His training ranges from classical guitar to contemporary improvisation, allowing him to move with ease between different styles such as flamenco, indie, folk and experimental pop. Throughout his career, Ariel has participated in various musical projects, both as a solo guitarist and in collective formations. His work stands out for its interpretive sensitivity, the harmonic richness of his compositions and a very personal approach to the guitar as an emotional vehicle.Ariel Acevedo y su guitarra admira

The admira guitar is Ariel Acevedo’s instrument of choice, both for live performances and recording sessions. His choice is based on the sound quality, dynamic response and comfort offered by Admira guitars, which are ideal for a musician who combines technique, expressiveness and sound experimentation. Ariel particularly values the balance between tradition and modernity that characterises Admira guitars, and how these instruments allow him to explore different textures without losing the warmth of the acoustic sound.

AMATRIA: identity, emotion and avant-garde

AMATRIA is a musical project that breaks stylistic barriers. With an independent and experimental approach, the band has captured the public’s attention with its authenticity and ability to create immersive atmospheres. In this project, Ariel Acevedo’s guitar is a key element: its presence brings depth, contrast and character to each song. AMATRIA is more than a band; it is an artistic experience where poetry, sound and emotion converge. And in that universe, the guitar comes to life in Ariel’s hands.

An artist with soul admires

At Guitarras Admira, we are honoured to have Ariel Acevedo as part of our family of artists. His passion for music, his artistic vision and his talent as a guitarist make him a reference point for those seeking a genuine and free way to make music with the Spanish guitar.

admira: How did you get started in music?

Ariel: There was a lot of music in my house when I was growing up, but none of my close relatives were musicians, so it wasn’t until I was 15 that I started learning on my own with a guitar that my mum and I had worked hard to buy.

admira: When you’re choosing a new guitar for your music, what qualities do you look for?

Ariel: It depends on the style of music or what I want to fuse together, that the wood, whether nylon or steel, allows the sound to linger, comfort in playing, and in terms of composition, that it conveys peace, perhaps a warm tone or a rustic finish to the touch.

admira: What would you like to highlight about the admira A15-EF, Serie Artesanía?

Ariel: Since I was able to try out the A15 Electrified, I would highlight that: It feels and looks like a sturdy guitar that can withstand the rigours of playing out, travelling with it, and performing on stage. It responds very well if you know how to adjust it to your height and how to use the preamp it comes with. The thickness of the fingerboard makes it feel like the neck of a Spanish concert guitar, but without causing discomfort after hours of playing. As for the tuning, I tried the entire range and its accuracy is phenomenal. I compared the same note in different octaves and it’s great to see that you can play without expecting any negative surprises. Now, about the preamp, which is a Fischman Classic Blend. To really get the most out of this guitar, this is where it comes in, because if you choose an electric guitar, it’s because most of the time you’ll be playing plugged in. I managed to get a perfect sound and set a couple of configurations depending on what I’m going to play, which is great. I always use it with a cover or anti-feedback to be on the safe side and have more control over the sound. I’m more than happy with the A15-EF.

admira: Let’s get creative… What would your ideal guitar be like that doesn’t exist yet?

Ariel: Ufff… haha, I’m sure I’d think of more things over time, but right now it would be: A comfortable neck to cope well with long concert seasons, a double sound hole to have the return through the upper ring with their respective covers for both, a rustic finish with a material other than varnish, an amplification system that is as faithful as possible to the real sound of the guitar, with its own anti-feedback system, with the option of removing and replacing a section of wood so that it could sometimes be a cutaway and sometimes not, for when I prefer to have it aesthetically as a classical guitar and a cutaway when I need the high register, lightweight and temperature-resistant, phew… I’ll leave it there because the interview is over haha.

admira: Tell us, what are your plans for 2025?

Ariel: This year (which is already halfway through) began with a lot of introspection. Among my plans, or rather, goals, was generally to take care of myself and understand myself better as a person, since all of that had an impact in one way or another on my music, my way of playing, of working, of relating to other musicians. For that reason, I tried to get back into the habit of reading, learning different things, analysing my behaviour with my loved ones, friends, and work. All of this has helped me approach the guitar better, with more respect, more affection, and more care. Music is so precious that how you treat it is how it treats you back, so I want to give it my best and treat it as well as possible. Otherwise, how can I give my best to music?